(owain_thomas @ feb. 23 2004,13:13 Wrote:another point, the dvb-t software i have (nebula's digitv) has a deinterlacing option, when i watch on my pc monitor the whole programme is perfect. is this somehow detecting that the different parts are not all interlaced and applying the filter to only the ones which are?
cheers
owain
important thing to watch out for with de-interlacing is how the de-interlaced progressive frame rate compares to the interlaced source material field rate.
there are two standard options for field / frame rate conversion, but they require quite different amounts of processing...
1. the 50/60hz interlaced material is converted to 25/30hz progressive material. this requires that any motion between the two fields is "hidden" - either by blending fields, dropping one of the fields, or other methods - effectively the two fields are merged to create a single frame, and efforts are made to hide the "combing" effects. this is easier to implement in software, and requires less processing. it works really well on film-sourced material (where there is no motion between fields - and thus no combing artefacts to hide) however the motion portrayal for video sourced material is effectively halved - making it seem less fluid - and look the same as film sourced material (and video material flickered to look like film).
2. the 50/60hz interlaced material is converted to 50/60hz progressive material. this requires a full frame to be interpolated for each field, creating a sequence with the same frame rate as the interlaced field rate. the motion portrayal is the same as the interlaced source material, with no loss of fluidity, but as you are generating twice as many frames as option (1) it requires significantly more processing power.
option 2 offers no real benefit for film-sourced material carried via interlaced transmission, but massively improves interlaced video source material. as many de-interlacing algorithms are produced for dvd replay, and a large chunk of dvds contain mainly film-sourced material, the impetus for producing good fluid de-interlaced results from video material is less pressing...
some pc based de-interlacing algorithms (i think the moonlight elecard pack popular for hdtv decoding on pcs - 1080i interlaced video is a common hd standard) offer both options 1 and 2 - with 2 requiring more processing power, but providing a far smoother result...
(nb this ignores the requirements for inverse-telecine 3:2 pulldown removal that works well to convert 24hz film carried by a 60hz interlaced system back to 24hz progressive by removing the redundant field, and creating a 2:2 sequence)