2016-08-29, 23:51
(2016-08-29, 18:58)wesk05 Wrote:Umm... That's a way to make life hellish... Either play the intermediates natively or transcode to H264 4:2:0 at a decent bitrate and make life easy... (If you want you can deinterlace to 50p/59.94p if your sources are interlaced and you want to ensure people don't mess that up..)(2016-08-29, 10:52)noggin Wrote: Interesting - but surely most edit intermediates will be Intra-based ProRes 4:2:2 or DNXHD 4:2:2 (or 4:4:4) - few people use MPEG2 or AVC as an edit codec (though admittedly some low-end stuff may be edited with an XD Cam 4:2:2 HD = Long GOP MPEG2 or AVCi 100 = AVC Intra timeline codec) and if you are rendering out for viewing separately, then 4:2:0 should be OK for a viewing copy?I understand. This particular user was rendering them in HEVC main 4:2:2 10/12 (don't ask me why).
Quote:If we are going to continue this conversation, we may want to take it somewhere else. Otherwise, @wrxtasy is going to be mad at us
Oops...